Queensland Ballet makes a triumphant Melbourne debut of their utterly charming 2016 production A Midsummer Night’s Dream.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Queensland Ballet makes a triumphant Melbourne debut of their utterly charming 2016 production A Midsummer Night’s Dream.
It probably sounds a little odd to describe a play that tackles the issue of euthanasia as entertaining, but in Melbourne Theatre Company’s world premiere of The Architect, playwright Aidan Fennessy replaces […]
Exemplifying the fine control needed to portray dazzling chaos, Colossus is a mesmerising new work from visionary choreographer Stephanie Lake.
Victorian College of the Arts Secondary School presented a full program of lively, varied, polished dance, reflecting a deep talent pool within their student body.
A perfect match of star and show, Evita benefits mightily from the powerhouse vocals and intense presence of Tina Arena. ***To read Man in Chair’s Melbourne review of Evita, click HERE***
Brilliantly conceived and expertly realised, The Australian Ballet’s world class new production of Spartacus is an artistic and physical triumph.
Operatic nightingale Emma Matthews gives a tour de force performance as she returns to the Melbourne stage in The Space Between, a unique and highly personal new work by Paul Grabowsky and Steve […]
Victorian Opera succeeded in meeting the sky high expectations for their third Bellini concert starring Jessica Pratt, presenting an evening of sterling musicianship and pairing Pratt with a colleague of similarly exceptional […]
The biting satire of Tom Lehrer’s Tomfoolery retains its ever-amusing freshness, especially as performed by a quartet of well-seasoned comic actors.
The Australian Ballet School neatly balanced classical, modern and Spanish dance, along with a healthy dose of good humour, in their highly entertaining Showcase 2018.