Currently one of London’s hottest tickets, Tina: The Tina Turner Musical is a solid entry in the bio-musical genre, combining an inspiring story with a terrific catalogue of hit songs.
Tina: The Tina Turner Musical review
Simon Parris
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Menier Chocolate Factory: Fiddler on the Roof review
Boiled down to a boutique-scale presentation, Fiddler on the Roof brims with fresh life, gentle humour and impactful drama.
Royal Opera: The Queen of Spades review
Splendid music is the clear highlight of an unusual and indulgent staging of Tchaikovsky opera The Queen of Spades, the central concept of which wears thin very quickly.
The Royal Ballet: Asphodel Meadows / The Two Pigeons review
The Royal Ballet combines a contrasting pairs of works to create a well rounded mixed program with Asphodel Meadows / The Two Pigeons.
Caroline, or Change review
Succinctly written and brilliantly performed, musical drama Caroline, or Change packs a powerful message.
Aspects of Love review
Streamlined staging and a strong ensemble cast allow Andrew Lloyd Webber’s Aspects of Love to be seen in a favourable light.
Royal Opera: La Traviata review
It is hard to begrudge the near annual presence of The Royal Opera’s workhorse production of La Traviata when it is lovingly re-staged and splendidly cast as this 2019 opening night performance.
The Cher Show review
Full of feathers and factoids, hit songs and head dresses, The Cher Show is diverting, if not particularly enlightening, entertainment.
Fiasco Theater: Merrily We Roll Along review
Radical editing and canny creativity have distilled the essence of Merrily We Roll Along, resulting in a slick, involving, densely melodic piece of musical theatre.
To Kill A Mockingbird review
A towering achievement, To Kill A Mockingbird comforts with nostalgic charm and crackles with potent relevance, the deft combination of which makes for an unforgettable night at the theatre.
Man in Chair 