Seminal modern classic Rent is given a layered, energetic production by up-and-coming community theatre company CenterStage Geelong.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Seminal modern classic Rent is given a layered, energetic production by up-and-coming community theatre company CenterStage Geelong.
Wickedly funny musical Ruthless! is the irresistible chance to see a bevy of brilliant actresses in an intimate setting.
Impossibly spectacular, Strictly Ballroom the Musical is a lavish, eye-popping extravaganza with a heartfelt story at its core.
On the eve of his biggest stage role to date, multi-talented young music theatre performer Euan Doidge has released a classy, emotionally charged album of handpicked millennial musical tracks.
A pair of classical treasures, Ballet Imperial and Suite en Blanc make a neatly balanced midyear complement to the streamlined modern dance of Chroma. With nary a trace of narrative or character, […]
Melbourne audiences finally have the opportunity to experience Bodytorque as The Australian Ballet presents an evening of brand new choreography.
Out of mothballs after 23 years, and polished to a sterling gleam, Rodgers and Hammerstein’s The King and I whistles its happy tune once more.
An intimate celebration of the beauty of the human form in dance, Chroma is a thoughtfully curated presentation of the work of a wide range of contributing artists.
“Must we all die then, just because there are too many of us?” So asks Magda Sorel in Gian Carlo Menotti’s absorbing human drama The Consul, a 64-year-old opera that could have […]
In one of Melbourne’s most keenly anticipated opera events of the year, the wait to hear Australia’s own Jessica Pratt in La Traviata has been well worth it.