Who knew that Jason Robert Brown, king of the introspective power ballad, had such a splashy, dishy, old-fashioned musical comedy like Honeymoon in Vegas in him?
Honeymoon in Vegas review [Broadway]
Papermill Playhouse: The Hunchback of Notre Dame review
An obvious and appealing title to become a stage musical, The Hunchback of Notre Dame features soaring music and heightened drama packaged in a impressive and inventive production.
An American in Paris review [Broadway]
A truly thrilling new work of high class and polish, An American in Paris is the rare new musical aimed mostly at a discerning adult audience.
On The Twentieth Century review [Broadway 2015]
All aboard for a generous slice of music theatre heaven as Roundabout Theatre Company revive decedent backstage musical On The Twentieth Century.
On The Town review [Broadway 2015]
Already a helluva show, this vivid, technicolor revival makes On The Town the sprightliest 71-year-old on the block.
Dirty Dancing review [Melbourne]
Blue chip title Dirty Dancing twirls back into town in a production that is surely resistant to help or hindrance from this, or any other, reviewer.
Blood Brothers review [Hayes Theatre]
Willy Russell’s classic musical packs considerable punch when presented as an understated, softly spoken drama.
Sweet Charity review [Melbourne]
The minute you walk in the joint…your eyes are immediately drawn to red hot dynamo Verity Hunt-Ballard in her already legendary, award-winning performance as sweet Charity Hope Valentine.
Sexercise the Musical review
To borrow a backhanded compliment from the great Mel Brooks, Sexercise the Musical is, in my opinion, “surprisingly good.”
StageArt: In The Heights review
Thank goodness for independent theatre producers. While commercial producers churn out rehashed retreads, StageArt have the courage, vision and passion to present this highly original, Tony Award-winning musical that is as much […]
Man in Chair 