In which Man in Chair keeps the secrets. Melbourne takes its place in the international spotlight with characteristic flair as the cosmopolitan city hosts the world’s third production of theatrical phenomenon Harry […]
Harry Potter and the Cursed Child review [Melbourne]
Victorian Opera: Parsifal review
In presenting this long overdue Melbourne premiere season of Parsifal, Victorian Opera gives Wagner’s final opera an intelligently conceived, splendidly performed production.
Melbourne Theatre Company: The Lady in the Van review
Melbourne Theatre Company begins the new year with a showcase for revered actress Miriam Margolyes, who takes on the cantankerous title character in Alan Bennett’s The Lady in the Van.
Melbourne Opera: The Flying Dutchman review
With confidence and polish that cover all aspects of production, Melbourne Opera takes on another Wagner opera, The Flying Dutchman, with further success.
Hadestown review [London]
Imaginatively conceived and artfully staged, new musical Hadestown is a heady combination of music, dance and mythology.
Violet review [London]
An ideal choice for an off-West End season, Violet features an exceptional lead performance from Kaisa Hammarlund.
Tina: The Tina Turner Musical review
Currently one of London’s hottest tickets, Tina: The Tina Turner Musical is a solid entry in the bio-musical genre, combining an inspiring story with a terrific catalogue of hit songs.
Menier Chocolate Factory: Fiddler on the Roof review
Boiled down to a boutique-scale presentation, Fiddler on the Roof brims with fresh life, gentle humour and impactful drama.
Royal Opera: The Queen of Spades review
Splendid music is the clear highlight of an unusual and indulgent staging of Tchaikovsky opera The Queen of Spades, the central concept of which wears thin very quickly.
The Royal Ballet: Asphodel Meadows / The Two Pigeons review
The Royal Ballet combines a contrasting pairs of works to create a well rounded mixed program with Asphodel Meadows / The Two Pigeons.
Man in Chair 