Utterly charming and splendidly cast, Roundabout Theatre Company’s revival of She Loves Me exemplifies the very reason music theatre fans flock to Broadway.
She Loves Me review [Broadway 2016]
Met Opera: L’Elisir d’Amore review
The bel canto pleasure of L’Elisir d’Amore is significantly enhanced by electric chemistry between its romantic leads.
The Robber Bridegroom review
Streamlined to a single act, Roundabout’s new off-Broadway production of 1970s Broadway musical The Robber Bridegroom is 90 effervescent minutes of unabashed fun.
Fiddler on the Roof review [Broadway 2016]
The new Broadway revival of revered masterwork Fiddler on the Roof benefits from the insight, imagination and artistry of acclaimed director Bartlett Sher and his proven creative team.
Matilda review [Melbourne 2016]
A clever show that is mightily enhanced by an equally smart, ingeniously realised production, Matilda is the music theatre smash hit Melbourne fans have been clamoring for while suffering through a seemingly […]
The Australian Ballet: Vitesse review
Commencing its 2016 Melbourne season in top form, The Australian Ballet continues its recent trend of exciting modern dance programs with Vitesse.
Violet review [Melbourne]
The quality of Violet exemplifies the ever-rising standard of the thriving independent musical scene.
Taxithi review
Brimming with tender warmth, fiery passion, gentle humour and touching pathos, Taxithi is a moving celebration of the courageous Greek women who forged new lives in Australia in the 1950s and 60s.
Victorian Opera: Banquet of Secrets
A slow burn, Banquet of Secrets’ ultimate success is due, in no small part, to the dazzling talents of its charismatic quartet of performers.
Victorian Opera: Voyage to the Moon review
In an extraordinary collaboration, Victorian Opera and Musica Viva present the world premiere of Voyage to the Moon, a highly accomplished celebration of the beauty of Baroque music.
Man in Chair 