Handsomely produced, Tuck Everlasting is family friendly fare of the gentle, old-fashioned variety.
Tuck Everlasting the Musical review
School of Rock the Musical review
Andrew Lloyd Webber is back on top with School of Rock the Musical, a bona fide Broadway hit.
American Psycho the Musical review
Given the success of the novel and film on which it is based, American Psycho the Musical should be a tense and amusing satire thriller, so the limp, unaffecting result is a […]
1776 review [2016 New York City Center Encores!]
In a splendidly sung and acted performance, revered historical musical 1776 is given the Hamilton multi-racial casting treatment at New York City Center Encores!.
Bright Star review [Broadway]
Refreshingly different and entirely unpretentious, Bright Star has an original story, an authentic Southern sound and a cohesive blend of creative elements.
Met Opera: Roberto Devereux review
Met Opera’s stunning production for their premiere season of Roberto Devereux boasts four world-class singers in the leading roles.
Dear Evan Hansen review
Timely staging, well judged writing and powerful performances distinguish brand new teen spirit musical Dear Evan Hansen.
She Loves Me review [Broadway 2016]
Utterly charming and splendidly cast, Roundabout Theatre Company’s revival of She Loves Me exemplifies the very reason music theatre fans flock to Broadway.
Met Opera: L’Elisir d’Amore review
The bel canto pleasure of L’Elisir d’Amore is significantly enhanced by electric chemistry between its romantic leads.
The Robber Bridegroom review
Streamlined to a single act, Roundabout’s new off-Broadway production of 1970s Broadway musical The Robber Bridegroom is 90 effervescent minutes of unabashed fun.
Man in Chair 