Venerable Melbourne institution The Production Company begins their landmark twentieth season with a concert staging of Rodgers and Hammersten’s Oklahoma!that is simply as good as it gets.
The Production Company: Oklahoma! review
Kane Alexander – Different Stages: The Broadway Album review
With years of experience on the musical theatre stage, the time is right for Kane Alexander to release his second album, Different Stages: The Broadway Album, a collection of Broadway’s most popular […]
Music Theatre Year in Review 2016
Australian audiences’ love affair with music theatre continued apace in 2016, with at least eight new Australian musicals playing alongside the glossy commercial productions and the exciting independent premieres.
The Production Company: Curtains review
Brimming with toe tapping tunes and laugh-out-loud puns and punchlines, the Australian professional premiere of Curtains is a fresh, welcome entry to the 2016 Melbourne music theatre season.
2015 Music Theatre Year in Review
World premieres abounded, boutique musicals thrived and revivals continued arriving in the 2015 year of musical theatre.
Simon Gleeson: Elements album review
Acclaimed singing actor Simon Gleeson shares an eclectic mix of heartfelt ballads in his debut album Elements. Music theatre audiences who have heard Gleeson’s extraordinary voice live in the theatre will welcome the […]
Patrice Tipoki: A Musical Heart album review
Having already appeared in enough musicals to fill her debut album with career highlights, Patrice Tipoki shares the enormous breadth of her talent in the new release A Musical Heart.
2014 Music Theatre Year in Review
Boutique musicals blossomed, new companies multiplied and program prices rose, in the 2014 year of musical theatre.
Helpmann Nominations 2014 Announced
If it seems like a long time since the 2013 Helpmann Nominations were announced, that’s because it is: last year’s nominations were announced on June 24. The awards will be presented at […]
Les Misérables review [Melbourne 2014]
Do you see the people spin? Not any more, in this epic restaging of the world’s favourite musical. Without the famous turntable, the student uprising is now the only “revolution.”
