A terrific cast brings out the very best of brand new Australian musical CROSSxROADS.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
A terrific cast brings out the very best of brand new Australian musical CROSSxROADS.
Now in its fifth year, Opera Australia would seem to have perfected the presentation of Handa Opera on Sydney Harbour as a Major Event. This year’s offering, Turandot, is intelligent, lavish, slick […]
Showcasing the stunning talents of leading lady Jessica Pratt, Victorian Opera presents a highly traditional new staging of Donizetti’s classic bloodbath Lucia di Lammermoor.
An all-star lead cast, stunning costumes and sensational tap choreography provide plenty of entertainment, but, despite all this razzle dazzle, Shuffle Along never really takes flight.
Little remains to be said about the success of Broadway mega-smash hit Hamilton, but does it hold up when viewed under the weight of extraordinarily high expectations?
Scaled down to its very essence, the first Broadway revival of The Color Purple is a life-affirming joy and the singing is out of this world.
In an unforgettable night of glorious music, The Light in the Piazza 10th Anniversary Reunion Concert reassembled the original cast of one of Broadway’s most cherished musicals.
Roundabout Theatre Company marks their 50th year with a superbly realised new revival of Eugene O’Neill’s Pulitzer Prize-winning play Long Day’s Journey Into Night, a true classic of the American theatre.
New crowd pleaser Disaster! on Broadway is the very definition of a guilty pleasure – it’s trashy, garish and obvious but you dare not look away for a moment lest you miss […]
Destined to be a smash hit, Waitress is just about the most fun an adult audience can have at the theatre.