Handsomely produced, Tuck Everlasting is family friendly fare of the gentle, old-fashioned variety.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Handsomely produced, Tuck Everlasting is family friendly fare of the gentle, old-fashioned variety.
Andrew Lloyd Webber is back on top with School of Rock the Musical, a bona fide Broadway hit.
Given the success of the novel and film on which it is based, American Psycho the Musical should be a tense and amusing satire thriller, so the limp, unaffecting result is a […]
In a splendidly sung and acted performance, revered historical musical 1776 is given the Hamilton multi-racial casting treatment at New York City Center Encores!.
Refreshingly different and entirely unpretentious, Bright Star has an original story, an authentic Southern sound and a cohesive blend of creative elements.
Met Opera’s stunning production for their premiere season of Roberto Devereux boasts four world-class singers in the leading roles.
Timely staging, well judged writing and powerful performances distinguish brand new teen spirit musical Dear Evan Hansen.
Utterly charming and splendidly cast, Roundabout Theatre Company’s revival of She Loves Me exemplifies the very reason music theatre fans flock to Broadway.
The bel canto pleasure of L’Elisir d’Amore is significantly enhanced by electric chemistry between its romantic leads.
Streamlined to a single act, Roundabout’s new off-Broadway production of 1970s Broadway musical The Robber Bridegroom is 90 effervescent minutes of unabashed fun.