Opera Australia’s world class revival of Lucia di Lammermoor is a heart-pounding thrill ride, in which the magic ingredients of opera blend to memorable perfection.
Opera Australia: Lucia di Lammermoor review
Victorian Opera: Hansel and Gretel review
Continuing to educate the opera lovers of tomorrow, Victorian Opera once again strikes a deft balance between authentic opera and children’s entertainment with a return season of Hansel and Gretel.
Great Performers: Thomas Hampson review
America’s premier baritone Thomas Hampson made a long overdue Australian debut in this expertly curated and wonderfully intimate performance at Melbourne Recital Centre.
Opera Australia: Don Quichotte review
Melbourne hears Massenet all too rarely, making Opera Australia’s presentation of Don Quichotte all the more of a treat.
Opera Australia: Tosca review [Melbourne 2018]
Melbourne welcomes sumptuous soprano Latonia Moore in a glorious performance, as Opera Australia revives their spectacular production of Tosca.
Opera Australia: La Traviata review [Melbourne 2018]
Opera Australia opens their 2018 Melbourne season with a brightly polished revival of cherished Verdi masterwork La Traviata.
Met Opera: Lucia di Lammermoor review
International soprano Jessica Pratt treats the New York audience to her signature role as she sings Lucia in Lucia di Lammermoor for the first time at Metropolitan Opera.
Met Opera: Luisa Miller review
Verdi’s Luisa Miller may be on lower rotation than many of his other works, but the casting of three operatic superstars presents the work in its very best light.
Handa Opera on Sydney Harbour: La Bohème review
Opera Australia neatly balances the spectacular with the intimate as the seventh season of firmly established opera attraction Handa Opera on Sydney Harbour turns its sights on one of the world’s most […]
Melbourne Opera: Tristan and Isolde review
The delayed opening night of Tristan and Isolde proved well worth the wait, an evening of musical splendour that will live in the hearts and minds of those lucky enough to be […]
Man in Chair 