Prolific producers of new work, Victorian Opera again caters for family audiences with The Pied Piper, an original composition by Artistic Director Richard Mills.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Prolific producers of new work, Victorian Opera again caters for family audiences with The Pied Piper, an original composition by Artistic Director Richard Mills.
Frolicking on stage with lighthearted abandon, charismatic superstar tenor Roberto Alagna set aside his operatic repertoire for an evening of Neapolitan songs.
Caroline O’Connor is the Greatest Star in The Production Company’s sensational new staging of legendary Broadway classic Funny Girl, a lavish production lifted to heights of greatness by the supreme confidence and […]
Victorian Opera, in partnership with Victorian Arts Centre, continues their quest to introduce children to opera with a neatly edited, attractively staged production of Massenet’s Cinderella (Cendrillon).
Michael Gow’s adaptation and direction enhance the whimsical delight of Mozart’s The Marriage of Figaro in Opera Australia’s highly accessible, thoroughly entertaining new touring production.
Reconfigured as a chamber musical for 20 performers and six musicians, 1997 Best Musical Tony Award winner Titanic makes for a dream boutique production. StageArt has raised the bar again, presenting a […]
Eugene O’Neill’s poetically titled 1924 tragedy Desire Under the Elms retains an alluring and potentially affecting premise. While The Sol III Company’s new production contains many admirable elements, the scope of the […]
The world premiere season of Australian musical Einstein: Master of the Universe introduces an exciting new composing talent in Jess Newman.
Lavishly produced on a grand scale, it is the intimate, intricate details that really distinguish Houston Ballet’s Romeo and Juliet, a very welcome addition to The Australian Ballet’s 2016 season.
You’re a good show, Charlie Brown You’re the kind of production we need You have ability, top quality, and a type of value that is very rare indeed. This pristine production of […]