Gilbert Deflo’s production of Verdi favourite Rigoletto raises the piece to the grandest operatic scale. Thankfully, the singers are easily as spectacular as the soaring scenery.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Gilbert Deflo’s production of Verdi favourite Rigoletto raises the piece to the grandest operatic scale. Thankfully, the singers are easily as spectacular as the soaring scenery.
Showcasing two of the finest stage actresses, Grey Gardens finally comes to London in this impressively staged production.
Fanny Brice may sing the song but it is Sheridan Smith who is the greatest star, leading a long overdue, sassy revival of Broadway classic Funny Girl.
Blessed with three excellent lead singers, this revival of Jonathan Kent’s 2006 production lands all the thrills of Puccini’s magnificent classic.
What appears, at first glance, an unusual choice for a musical proves a joyous celebration of culture, identity and acceptance.
This lovingly staged, if rather safe, new production of perennial classic Fiddler on the Roof is anchored by a sterling performance from Australia’s unchallenged Leading Man of the stage, Anthony Warlow.
Producer Tim Lawson treated Melbourne media to a look at his new production of Fiddler on the Roof.
World premieres abounded, boutique musicals thrived and revivals continued arriving in the 2015 year of musical theatre.
Bathing nostalgia in the warmest possible glow, Georgy Girl is a rose coloured trip down memory lane, with exceptionally engaging performances and glorious harmonies being two of the chief attractions.
Cats lets the memory live again, with a new revival only five years after the last one.