Having first dropped slipper in the Melbourne 2013 premiere, Alexei Ratmansky’s new staging of Cinderella confirms its status as an instant favourite of the repertory.
I have appeared in about 40 productions over the past forty years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables.
I have directed several school productions. I choreographed Urinetown and Little Shop of Horrors, then went on to direct Hot Mikado and the Australian premiere of 13. I have since gone on to direct/choreograph The Music Man Jr and Thoroughly Modern Millie Jr.
At my next school, I was Head of Productions, overseeing up to a dozen productions each year and directing another seven musicals, including The Music Man, Brigadoon and How To Succeed in Business Without really Trying.
I reviewed music theatre and opera for Theatre People and the Sunday Herald Sun (Melbourne). I served on the Music Theatre Guild of Victoria Committee for five years as Treasurer and was on the Board of The Opera Studio Melbourne.
I am a keen audience member, having seen 58 shows in six weeks in a 2012 trip to New York, as well as 57 shows during 6 weeks in London/Europe earlier the same year.
I hope you enjoy reading the news and reviews at Man in Chair. I would love to hear your thoughts on the shows covered here so please feel free to leave your comments.
Having first dropped slipper in the Melbourne 2013 premiere, Alexei Ratmansky’s new staging of Cinderella confirms its status as an instant favourite of the repertory.
High on rock but light on horror, the low budget tour of Rocky Horror Show returns just in case a few theatre- party-goers missed the wild ride last year.
In their second annual Culture Project season, Gertrude Opera shares an immersive, highly affecting experience in Benjamin Britten’s Curlew River.
The Australian Ballet finds an ideal balance between classical story ballet and classical abstract ballet in this delightful evening of Frederick Ashton masterworks.
Packed with unabashedly joyful tunes, A Super Brady Cabaret is wickedly funny.
Everything old is new again as a sensational cast brings daffy delight Anything Goes roaring back to life.
Legendary Broadway musical Dreamgirls finally makes its Australian premiere in this flashy presentation from innovative, uncompromising independent theatre company StageArt.
Verdi’s grandest opera is given the meticulous and magnificent treatment it deserves in this most welcome revival, the glittering centerpiece of this very well received Melbourne Autumn season.
Dramatically charged content, stirring, melodious music and terrific performances contribute to a distinguished world premiere for Ned A New Australian Musical.
The wind must be in the east, as Mary Poppins flies back onto the Melbourne stage in a lavish, lovingly crafted stage spectacular.