Emotionally sharp, gorgeously sung and spectacular to behold, Opera Australia’s new Carmen is a production to be treasured.
Opera Australia: Carmen review [Melbourne 2017]
Kane Alexander – Different Stages: The Broadway Album review
With years of experience on the musical theatre stage, the time is right for Kane Alexander to release his second album, Different Stages: The Broadway Album, a collection of Broadway’s most popular […]
Cabaret review [Melbourne 2017]
Although its timeless quality and eerily prescient politics make Cabaret ripe for revival, a proliferation of poor directorial choices derails the promise of this new production.
BK Opera: Werther review
Adding another layer to Melbourne’s burgeoning independent opera scene, BK Opera distinguishes themselves with a fine performance of Massenet’s romantic tragedy Werther.
The Shanghai Ballet: Swan Lake review
The Shanghai Ballet’s highly traditional production of Swan Lake is distinguished by the exquisite use of a huge corps de ballet of angelic dancers.
Aladdin review [Melbourne 2017]
Shining, shimmering, splendid, Aladdin transports audiences on a magic carpet ride to a whole new world of kaleidoscopic intensity.
Sunday in the Park with George review [Broadway 2017]
Less is so much more as revered musical Sunday in the Park with George returns to Broadway. The staging may be partial, but the music, humour and heart are all there in […]
Natasha, Pierre and the Great Comet of 1812 review
Highly original in style and extraordinarily exuberant in performance energy, Natasha, Pierre and the Great Comet of 1812 is a fresh, exciting and affecting new musical.
War Paint review
A glossy, if rather slender, new musical, War Paint is a chance to luxuriate in the performances of a pair of Broadway’s greatest divas. Two-time Tony Award winners Patti LuPone and Christine […]
Amélie review
As dainty and delectable as a well-cooked soufflé, the new stage musical Amélie is a feather-light confection of pure charm.
Man in Chair 