A riveting, finely honed performance from Ben Gerrard brigs equal balance to the entertaining and the thought-provoking aspects of the life of survivor Charlotte von Mahlsdorf in I Am My Own Wife.
I Am My Own Wife review [Melbourne 2017]
Harry Potter and The Cursed Child Parts One and Two review
**In which Man in Chair Keeps The Secrets (ie no spoilers), but rather just gives a brief reflection on this incredible play** As a means of continuing the story of beloved wizard […]
Dreamgirls review [London]
Slick, streamlined and spirited, Dreamgirls is a hit all over again in its first ever West End outing. High production values and excellent direction mean the show could open on Broadway tomorrow […]
English National Ballet: Giselle review
Equal parts charmingly festive, dreamily romantic, eerily haunting and tenderly moving, Mary Skeaping’s Giselle provides English National Ballet with a pristine showcase for the beauty of dance.
Half A Sixpence review
Brimming with lively energy and infectious charm, classic musical Half A Sixpence benefits mightily from the Cameron Mackintosh reinvention treatment.
42nd Street review [Paris 2017]
A stunning new large-scale production, 42nd Street deservedly enjoyed a sold out season at Théâtre du Châtelet.
School of Rock review [London 2017]
As big a hit now on the West End as on Broadway, School of Rock has cemented its place as Lord Andrew Lloyd Webber’s return to the top.
Menier Chocolate Factory: She Loves Me review
For their popular annual winter musical, Menier Chocolate Factory serves up a delectable chocolate box of melodies with Golden Age romantic musical comedy She Loves Me.
Lazarus review [London 2017]
Surreal and deliberately inscrutable, production and performance of the David Bowie musical Lazarus respects and subtly celebrates the great artist’s talent and legacy.
Matthew Bourne’s The Red Shoes review
Dazzling and affecting in equal measure, Matthew Bourne’s new work The Red Shoes is as superbly realised as it is ingeniously conceived.
