Having been embraced upon the world stage, Priscilla Queen of the Desert makes a welcome return home for a tenth anniversary victory lap of Australia.
Priscilla Queen of the Desert review [Melbourne 2018]
Everybody’s Talking About Jamie review
A joyful celebration of the power of embracing what makes a person special, Everybody’s Talking About Jamie is one of the most exciting new British musicals in a long time.
Matthew Bourne’s Cinderella review
Celebrating the twentieth anniversary of its creation, this pristine revival of Matthew Bourne’s Cinderella is a very welcome choice for Sadler’s Wells annual Matthew Bourne winter season.
The Royal Ballet: Giselle review [2018]
This performance of Peter Wright’s highly traditional production of Giselle brought a significant role debut, as young Australian Benjamin Ella premiered as Albrecht, which is the biggest role to date in his […]
The Woman in White review
With a focus on Andrew Lloyd Webber’s sumptuously melodious score, the new chamber-sized production of The Woman in White avoids the excesses of the original staging, allowing the gripping Victorian melodrama to […]
Royal Opera: Rigoletto review
The final performance of Rigoletto for the current season thrilled opera lovers around the nation and the world via cinema relay. Viewed live at the Royal Opera House, the performance had a […]
42nd Street review [London]
Everyone’s favourite tap dance musical is back on the West End, and, really, shouldn’t 42nd Street always be playing somewhere in the world at any given time?
Vienna State Opera: Don Giovanni review
It may be difficult to see the action on stage, but at least the music sounds glorious, with Vienna State Opera presenting a Don Giovanni blessed with uniformly strong vocals and the […]
Hamilton review [London]
The world’s hottest musical arrives in London in a pristine production that is matched by a gleaming, newly renovated West End theatre that is far superior to the show’s Broadway home.
National Theatre: Pinocchio review
A stage musical of Pinocchio sounds like a brilliant idea, but all the magical stagecraft in the world cannot save a show if the book is weak.
Man in Chair 