Glistening with hand polished sparkle, Lyric Opera’s colourful new staging of Rossini’s one-act comedy Il Signor Bruschino is a frothy delight.
Lyric Opera of Melbourne: Il Signor Bruschino review
Songs for a New World review
A cherished favourite of many a music theatre fan, Jason Robert Brown’s Songs for a New World shimmers with intensity in this powerfully sung new staging by Blue Saint Productions.
Follies in Concert review [Melbourne 2016]
Superb direction and electric performances makes this presentation of Follies in Concert far more than a rose-tinted trip down memory lane.
Malthouse Theatre: The Glass Menagerie review [Melbourne 2016]
In an eagerly awaited boon for Melbourne theatregoers, Malthouse Theatre hosts Belvoir’s acclaimed 2014 staging of The Glass Menagerie. The meticulous production shows the riches to be uncovered in treating a classic […]
The Sound of Music review [Melbourne 2016]
Perhaps it is the same everywhere, but The Sound of Music seems to have always held a special place in the hearts of Melbourne theatregoers. This polished production is set to continue […]
Opera Australia: Luisa Miller review [Melbourne 2016]
A superb company of singers and a gleaming black and white staging bring an air of polished perfection to this Melbourne season of rarely-seem Verdi opera Luisa Miller.
Singin’ in the Rain [Melbourne 2016]
We may not have needed another revival of Singin’ in the Rain, but slick, glossy, intelligent productions of this scale are always a welcome sight.
Heathers the Musical review [Melbourne 2016]
A bevy of young and exciting talents whip the crowd into a frenzy in the welcome Melbourne premiere season of Heathers the Musical.
Dogfight review [Melbourne]
While the majority of commercial producers churn out safe revivals, the presentation of a challenging Victorian premiere falls, once again, to the independent theatre sector. Geelong-based company Doorstep Arts have taken the […]
Opera Australia: The Pearlfishers review [Melbourne]
Bizet’s charming score has made The Pearlfishers a bit of an Australian favourite, but even the carefully considered direction of Michael Gow is not quite enough to sharpen the ill-conceived concept and […]
Man in Chair 