Jam-packed with all the ingredients of a surefire smash hit, Something Rotten is funny without being unnecessarily smutty, and clever without being particularly original.
Something Rotten review
The Visit review [Broadway]
“I’m unkillable,” proclaims Claire Zachanassian, and her portrayer Chita Rivera might well make the same decree, as Kander and Ebb’s final musical The Visit makes its long-awaited visit to Broadway.
Honeymoon in Vegas review [Broadway]
Who knew that Jason Robert Brown, king of the introspective power ballad, had such a splashy, dishy, old-fashioned musical comedy like Honeymoon in Vegas in him?
Papermill Playhouse: The Hunchback of Notre Dame review
An obvious and appealing title to become a stage musical, The Hunchback of Notre Dame features soaring music and heightened drama packaged in a impressive and inventive production.
An American in Paris review [Broadway]
A truly thrilling new work of high class and polish, An American in Paris is the rare new musical aimed mostly at a discerning adult audience.
Met Opera: Ernani review [2015]
Placido Domingo and James Levine, a pair of sentimental favourites and masterful talents, draw much audience affection at Met Opera’s revival of Ernani.
Met Opera: Don Carlo review [2015]
Five superb lead singers distinguish Met Opera’s revival of the 2010 co-production of Verdi’s epic drama Don Carlo.
On The Twentieth Century review [Broadway 2015]
All aboard for a generous slice of music theatre heaven as Roundabout Theatre Company revive decedent backstage musical On The Twentieth Century.
On The Town review [Broadway 2015]
Already a helluva show, this vivid, technicolor revival makes On The Town the sprightliest 71-year-old on the block.
Handa Opera on Sydney Harbour: Aida review
In a ravishing display of the depth of her extraordinary talent, American soprano Latonia Moore outshines camels, fireworks and dancing girls to walk away with the fourth annual Handa Opera on Sydney […]
Man in Chair 