A pristine exemplar of Broadway creativity at its zenith, The Lion King illustrates with sterling clarity why it is the world’s highest grossing musical.
The Lion King review [Melbourne]
Strange Bedfellows: Under the Covers review
Resolutely confronting and provocative, the cabaret work of Strange Bedfellows is set apart by the utter conviction and sheer talent of creators and stars Jacqui Dark and Kanen Breen.
Victorian Opera: The Flying Dutchman review
Returning opera to the mighty Palais Theatre, Victorian Opera match the spectacle of 3D animation with the quality of singing as Wagner’s The Flying Dutchman drops anchor in Port Phillip Bay.
Harvey Milk the Opera in Concert review
A classy concert presentation with plenty of polish, Harvey Milk the Opera proves to be a timely, absorbing, affecting piece.
Melbourne Opera: Der Freischütz review
Taking the sort of bold leap seldom, if ever, seen from the national company in recent years, Melbourne Opera proves they have the resources, talent and audience support to successfully stage rarely […]
Thriller Live review [Melbourne]
A concept that has all of the ingredients for a thrilling night falls surprisingly and disappointingly flat in this touring homage to king of pop Michael Jackson.
Royal Ballet: Onegin review
Divine performances from the lead dancers elevate an otherwise elegant but somewhat lackluster ballet.
The Scottsboro Boys review [London]
As melodious as it is heartbreaking, Kander and Ebb’s The Scottsboro Boys is a brilliantly conceived combination of upbeat song and downbeat drama.
Menier Chocolate Factory: Assassins review
Prolific theatre director Jamie Lloyd presents an unrelenting, devilishly dark take on Stephen Sondheim and John Weidman’s revered, if troubled, musical fantasia of despair, dander and death.
Miss Saigon review [London]
A sure contender for one of the top musicals of all time, Miss Saigon steps out of the shadow of its older sibling to be seen as an acclaimed and adored masterwork […]
Man in Chair 