A talented cast and a handsome production partially compensate for an utterly pedestrian stage adaptation of Jules Verne’s Around The World In 80 Days.
Around The World in 80 Days review
The Beast review [Melbourne 2016]
An all new touring production of provocative 2013 MTC hit The Beast wraps shocking behaviour in laugh out loud comedy.
The Production Company: Curtains review
Brimming with toe tapping tunes and laugh-out-loud puns and punchlines, the Australian professional premiere of Curtains is a fresh, welcome entry to the 2016 Melbourne music theatre season.
Melbourne Opera: Tannhäuser review
Melbourne Opera makes a quantum leap in scale of production, crossing Collins St to present a majestic, immensely satisfying production of Tannhäuser at the Regent Theatre.
Victorian Opera: Laughter and Tears review
Leaders in arts innovation, Victorian Opera delivers ingeniously conceived new program Laughter and Tears, the entertainment value of which is significantly enhanced by a fruitful collaboration with Circus Oz.
Avenue Q review [Melbourne 2016]
Back to charm a new generation of theatregoers, Avenue Q is as tuneful, hilarious and relevant as ever in this confidently staged revival production.
Victorian Opera: The Pied Piper review
Prolific producers of new work, Victorian Opera again caters for family audiences with The Pied Piper, an original composition by Artistic Director Richard Mills.
Roberto Alagna in Concert review [Melbourne 2016]
Frolicking on stage with lighthearted abandon, charismatic superstar tenor Roberto Alagna set aside his operatic repertoire for an evening of Neapolitan songs.
The Production Company: Funny Girl review
Caroline O’Connor is the Greatest Star in The Production Company’s sensational new staging of legendary Broadway classic Funny Girl, a lavish production lifted to heights of greatness by the supreme confidence and […]
Victorian Opera: Cinderella review
Victorian Opera, in partnership with Victorian Arts Centre, continues their quest to introduce children to opera with a neatly edited, attractively staged production of Massenet’s Cinderella (Cendrillon).
Man in Chair 