Refreshingly different and entirely unpretentious, Bright Star has an original story, an authentic Southern sound and a cohesive blend of creative elements.
Bright Star review [Broadway]
Met Opera: Roberto Devereux review
Met Opera’s stunning production for their premiere season of Roberto Devereux boasts four world-class singers in the leading roles.
Dear Evan Hansen review
Timely staging, well judged writing and powerful performances distinguish brand new teen spirit musical Dear Evan Hansen.
She Loves Me review [Broadway 2016]
Utterly charming and splendidly cast, Roundabout Theatre Company’s revival of She Loves Me exemplifies the very reason music theatre fans flock to Broadway.
Met Opera: L’Elisir d’Amore review
The bel canto pleasure of L’Elisir d’Amore is significantly enhanced by electric chemistry between its romantic leads.
The Robber Bridegroom review
Streamlined to a single act, Roundabout’s new off-Broadway production of 1970s Broadway musical The Robber Bridegroom is 90 effervescent minutes of unabashed fun.
Fiddler on the Roof review [Broadway 2016]
The new Broadway revival of revered masterwork Fiddler on the Roof benefits from the insight, imagination and artistry of acclaimed director Bartlett Sher and his proven creative team.
Matilda review [Melbourne 2016]
A clever show that is mightily enhanced by an equally smart, ingeniously realised production, Matilda is the music theatre smash hit Melbourne fans have been clamoring for while suffering through a seemingly […]
The Australian Ballet: Vitesse review
Commencing its 2016 Melbourne season in top form, The Australian Ballet continues its recent trend of exciting modern dance programs with Vitesse.
Violet review [Melbourne]
The quality of Violet exemplifies the ever-rising standard of the thriving independent musical scene.
Man in Chair 